'Refugee Blues – W.H. Auden Essay\r'

'Poet †Wynstan Hugh Auden, born as a doctor’s son in February 1907 in York, United Kingdom, counts as bingle of the greatest English poets of the 20th century. Theme †ab enforce of tender rights experienced not notwithstanding by German Jews just by other Jews and by refugees anywhere. Structure †The metrical composition contains 12 stanzas of three delimitates each. The first and morsel line of each stanza rhyme. The devil rhyming lines of each stanza describe the story, while the third line contains a refrain (like a chorus) that develops the theme of the poem. Analysis †The phthisis of the reciprocation blues too reinforces the musical theme of the poem as the sub-genre of jazz †this room of music was created by the slaves in slave communities in the southern States of the USA. The origin and the modern nitty-gritty of this word tie in with the two purposes of the poem.\r\nThe repeated use of â€Å"my unspoilt” conjure ups that the couple be married, but doesn’t take a crap a clue as to whether it is the husband or wife speaking. The first stanza notes that the city they take for fled to is full of people, both generous and poor, yet there is no space for them. With the use of word such as â€Å"souls” it suggest something valuable or holy about each and both one of the people at heart the city, it also implies that they are completely the same. The tree is an interesting attribute in the next stanza. The tree fanny go through and through nature’s wheel but can. However, this is contrasted with man-made documents that, once lost, can never be recovered: ‘Old passports can’t do that, my dear’.\r\n'