Alfred Hitchcocks Rear Window Essay examples -- Film Movies

Alfred Hitchcocks Rear Window In Rear Window, Alfred Hitchcock took a plot-driven little(a) flooring and transformed it into a display case-driven movie. Although differences must(prenominal) exist between text and germinate, because of the limitations and advantages of the different media, Hitchcock has done more than supply a word-based level into a visual movie. Aside from adding enough elaborate to fill a two-hour movie, Hitchcock has done much to change the perspective of the story, as well as the main character. The novels Hal Jeffries, a app arntly hard-boiled and not overly intellectual world contrasts sharply with the photojournalist J.B. Jeffries of the movie. The increment of supporting characters, such as Lisa, diminishes somewhat the loneliness of the short story character. The character in the short story has more in parking area with Humphrey Bogarts Sam Spade than with Jimmy Stewarts Jeff. That Hitchcock took a story written in a style sim ilar to Dashiell Hammett or Raymond Chandler, and chose not to make a film noir detective story speaks much to Hitchcocks purpose here. Rather than creating a conventional detective story, Hitchcock creates an everyman, whose injury prevents him from action. The impotency the character feels heightens the tension of the film, as well by forcing the viewers to severalize with his frustration. The movie disguises the many of the darker moments with humor, a device commonly used to fall the shock of less acceptable aspects of a story. While the story was provided the narrative of one man, the film portrays different concepts of, and stages of love, in the images of the people across the way. The story is a guiltily related narrative of one mans voyeurism, repeatedly rationalized by him. B... ...that we, not Jeff, have been spying on the neighbors across the way. While both the story and the film contain aspects of voyeurism, as well as a physically limited charac ter, Hitchcocks film does more than simply add enough filler to complete a movie. He adds facets to the character not included in the story. He provides the character with a career and social life and motivation. Additionally, Hitchcock uses the visual aspects of the film to stock more about the characters. By associating Thorwald with the color red, and using light and tail end to highlight Jeffs ambivalence about Lisa, we get hints about how we are supposed to feel about the various characters. Hitchcock has taken an adequate short story and transformed it into a fascinating and funny character dissect that seems to comment on the isolation of life in a new-fangled urban environment.