Meaning, Interpretation, and Tension in Literature Essay -- Literary A

Iraqi Head Seeks Arms. (Pinker, p. 69) Quiproquo, double entendre, pun. These are instances of finding more(prenominal) than star possible subject matter to an event, most often a phrase. We arseholet picture Shakespeare, or Molire, or the works of many other authors if we dont believe that something can have more than champion meaning. There is no topic in philosophy that has received more attention than meaning, in its multifarious manifestations. (Dennett, p. 401) nub is one of our most intimate bedfellows it is always in our minds. In Websters third unsanded International Dictionary, meaning is defined as follows 1meaning 1a The thing one intends to convey by an act or esp. by language b the thing that is conveyed or signified esp. by language the sense in which something (as a statement) is understood 2 The thing that is meant or intended INTENT, PURPOSE, AIM, objective It is especi all in ally interesting that there is a difference between 1a and 1b in this definition, because this implies that there can be at least two meanings for a given event or utterance what the meaner intends, and what the witness understands the meaning to be. The subprogram of possible meanings grows when we consider that there may be many dissimilar meanings, or levels of meanings of the meaner. There could also be many witnesses to the event, each with her experience interpretation. Each of these situations is like a different context, which could reveal a juvenile sense.One area in which the possibility of the existence of more than one meaning or interpretation creates tension is literature. Intention, text, context, reader what determines meaning? at one time the very fact that arguments are made for all four factors shows that meaning is complex and elusive, not something once and f... ...case, especially if we concede that certain things from which we generalize meaning were created without intent or purpose. Perhaps our concept of meaning is a manifestatio n of our tendency to make up stories to explain things, or trust as humans to fill emptiness and to stretch out. We certainly dont have all the puzzle pieces yet hopefully our understanding will evolve and expand as more information becomes available. Works CitedCarle, Eric. The Very Hungry Caterpillar. New York Philomel. 1969.Culler, Jonathon. Literary Theory. New York Oxford. 1997.Dennett, Daniel. Darwins Dangerous Idea. New York Touchstone, 1995.Hofstadter, Douglas R. Gdel, Escher, Bach an dateless Golden Braid. New York Basic Books. 1979Mayr, Ernst. What Evolution Is. New York Basic Books, 2001.Pinker, Steven. The lyric Instinct. New York HarperCollins, 1994.