Essay --

mad reposition is one of the corpses employ in Stanislavskis system. This method is where the actor draws on one of their consume personal memories that relates to the situation their character is in. Emotional memory helps the actor to real befit the character and portray the emotions the character would be beliefing at the time. For example, if your character is grieving you would think of a time when you have grieved and reckon how you felt and how you reacted to certain situations at this time. I have used this method during my account process on several occasions and it works healthful for me. I feel this method assists to make my performance real and believable. Emotional memory is a big part of method acting, although this method was devised by Stanislavski, Lee Strasberg said, Method acting is what all actors have always through whenever they acted well. (www.methodactingstrasberg.com,11/13). When emotional memory is integratedd into the rehearsal process, the ac tor really starts to feel the same way that the character would in the given situation. An example of this from Stanislavskis book An Actor Prepares is when an actor is guided through an emotional memory exercise by the director. Imagine our amazement when both Tortsov and Rokhmanov told us that, whereas our performing of this exercise used to be indirect, insincere, fresh and true today it was false, insincere and affective. We were dismayed at such unexpected criticism. We insisted that we really felt what we were doing. Of gradation you were feeling something, said the director. If you were not you would be dead. The point is what were you seeing? permit us try to disentangle things and to compare your former with your present exercise. (Stanislavski, 1936 163-... ...t ways. in one case this part of the rehearsal process is complete the actor will go to sleep which emotions and feelings work best in the scene and will begin to incorporate emotional memory and the inner monol ogue. In conclusion to this essay we coffin nail say that Stanislavskis system in the training of the actor and the rehearsal process is effective. The system helps actors to break down their characters gradually and really inhabit the role. Some may even the say that the system helps them to almost become the character. The system has played a significant part in home training for many an(prenominal) years. It has been used, adapted and interpreted by several practitioners, actors and tutors. For many years to come Stanislavskis system will still be used in theatre training. Not only is it an effective system it is the past, present and future of theatre training and the rehearsal process.